Snow Crash by Neal Stephenson
My rating: 4 of 5 stars
Narrated by Jonathan Davis
I really enjoyed the quality of the narration; Mr. Davis does an excellent job rendering the voices of the various characters within the story.
This was a fun read for the most part ... although the heavy exploitation of various stereo-types might be offensive to some, it really is the key to most of the humor in the story; at least Mr. Stephenson is an equal opportunity satirist in creating his dystopian society. The story pokes fun at corporate franchises, Christians (Orthodox Russians, Catholics and evangelists), the feds, the mafia, Columbian drug cartels, pizza delivery drivers, skateboard couriers, gated communities (burbclaves), apartheid, Alaskan red-necks, and a host of others. The characters themselves are very shallow and underdeveloped, though most are still memorable none the less.
This central plot merges ancient Sumerian mythology as alternate history with computer technology to construct an idea that humans have a basic or innate language ability that was 'hard coded' into our brain. This direct neural wiring left humans vulnerable to a memetic or 'meta virus' that basically turns humans into automatons. Stephenson uses a series of interactions (info-dumps) with a database AI (The Librarian) to introduce readers to the concepts needed to fully appreciate the plot climax. Unfortunately this is where Stephenson starts to lose his way (and a star) while the satire becomes less skillful and the story displays more violence (needlessly so in some cases). The strange introduction of teenage sex with a much older and very violent male antagonist toward the end of the book really detracted from the story as a whole. Finally, the conclusion seemed confused and somewhat aimless and unsatisfying by the end (Where was Raven's kaboom!).
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My Ratings Explained ...
- [ ***** ] Amazing Read - Perfect story, exciting, engrossing, well developed complex characters, solid plot with few to no holes, descriptive environments and place settings, great mystery elements, realistic dialogue, believable reactions and behaviors; a favorite that I can re-read many times.
- [ **** ] Great Read - Highly entertaining and enjoyable, exciting storyline, well developed characters and settings, a few discrepancies but nothing that can’t be overlooked. Some aspect of the story was new/refreshing to me and/or intriguing. Recommended for everyone.
- [ *** ] Good Read - Solid story with a 'good' ending, or has some other redeeming feature. Limited character development and/or over reliance on tropes. Noticeable discrepancies in world building and/or dialog/behavior that were distracting. I connected enough with the characters/world to read the entire series. Most of the books I read for fun are here. Recommended for fans of the genre.
- [ ** ] Okay Read - Suitable for a brief, afternoon escape … flat or shallow characters with little to no development. Over the top character dialog and/or behavior. Poor world building with significant issues and/or mistakes indicating poor research. Excessive use of trivial detail, info dumps and/or pontification. Any issues with the story/characters are offset by some other aspect that I enjoyed. Not very memorable. May only appeal to a niche group of readers. Recommended for some (YMMV).
- [ * ] Bad Read - Awkward and/or confusing writing style. Poor world building and/or unbelievable (or unlikeable) characters. Victimization, gaslighting, blatant abuse, unnecessary violence, child endangerment, or any other highly objectionable behaviors by Main characters. I didn't connect with the story at all; significant aspects of this story irritated me enough that I struggled to finished it. Series was abandoned. Not recommended.